Ongoing Projects
  • Tomorrow will bring to a close another week (and another summer) with Encore Creativity For Older Adults at the Chautauqua Institution

    Another year of DX at Chautauqua

    Tomorrow will bring to a close another week (and another summer) with Encore Creativity For Older Adults at the Chautauqua Institution

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  • Summer is always a time for moving a bit slower, taking in life’s pleasures, and rejuvenating the spirit.  All of us at the Dance Exchange were not only soaking in […]

    Dance Exchange’s Summer 2013 in Review

    Summer is always a time for moving a bit slower, taking in life’s pleasures, and rejuvenating the spirit.  All of us at the Dance Exchange were not only soaking in […]

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  • Getting to know the new faces at Dance Exchange Interview with Susan Goode, Dance Exchange’s new Business Manager   K: How did you learn about the Dance Exchange and did […]

    Interview with Susan Goode, Dance Exchange’s new Business Manager

    Getting to know the new faces at Dance Exchange Interview with Susan Goode, Dance Exchange’s new Business Manager   K: How did you learn about the Dance Exchange and did […]

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  • As a young dancer, I dreamt of joining a dance company, going on tour, performing. All I wanted was to be A Professional Dancer. I was fortunate enough to find my way to Dance Exchange right after college, and discovered a place that nurtures its dancers into mature, thoughtful artists with a critical eye and big aspirations for what dance can do. One of my curiosities that first season of touring with the company was What Happens On Tour. As a student, this part of a dancer’s life was a topic about which I always had questions: What’s it like? How do I pack? What do I eat? What happens after rehearsal?

    Shifting the wonder

    As a young dancer, I dreamt of joining a dance company, going on tour, performing. All I wanted was to be A Professional Dancer. I was fortunate enough to find my way to Dance Exchange right after college, and discovered a place that nurtures its dancers into mature, thoughtful artists with a critical eye and big aspirations for what dance can do. One of my curiosities that first season of touring with the company was What Happens On Tour. As a student, this part of a dancer’s life was a topic about which I always had questions: What’s it like? How do I pack? What do I eat? What happens after rehearsal?

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  • It took me a little longer to write this post but it has been hard to sum up my summer experience at Dance Exchange. Now that the institute is over, I’ve found myself missing the feeling of starting my days attempting to tackle complicated choreography in a fog of Tiger Balm.

    Goodbye for now

    It took me a little longer to write this post but it has been hard to sum up my summer experience at Dance Exchange. Now that the institute is over, I’ve found myself missing the feeling of starting my days attempting to tackle complicated choreography in a fog of Tiger Balm.

    Continue Reading...

  • In the field of Conflict Analysis and Resolution we call it reflective practice: a method by which we grow as human beings and as theorists, researchers, and practitioners; it refers to the process by which persons learn, with others, from reflection on their experience. What do you do with the experience after it's over, how do you process the process?  Are we changed forever?  We say: yes, I’m inspired, I’m renewed, I have received artistic energy.  And so many of our exercises at the Institute were just that; allowing oneself to receive messages, to surrender weight into the floor, into your partner, the witnessing, the receiving, the sourcing, the creating and the sharing of ourselves.

    Reflective practice post-Institute

    In the field of Conflict Analysis and Resolution we call it reflective practice: a method by which we grow as human beings and as theorists, researchers, and practitioners; it refers to the process by which persons learn, with others, from reflection on their experience. What do you do with the experience after it's over, how do you process the process? Are we changed forever? We say: yes, I’m inspired, I’m renewed, I have received artistic energy. And so many of our exercises at the Institute were just that; allowing oneself to receive messages, to surrender weight into the floor, into your partner, the witnessing, the receiving, the sourcing, the creating and the sharing of ourselves.

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  • This common place holds me accountable for how I currently treat my own body of water in relation to being apart of this physical world. And now, I can see the richness in what it means to sustain our earth. Not only for ourselves but for one another to be able to come together and ignite new possibilities for living a healthier life. Through this experience, I have learned that dance making is not about counting to 8. The Dance Exchange has helped make me aware that making art can be a tool for promoting environmental awareness and what better way to start than with a common place.

    Side notes on a common place

    This common place holds me accountable for how I currently treat my own body of water in relation to being apart of this physical world. And now, I can see the richness in what it means to sustain our earth. Not only for ourselves but for one another to be able to come together and ignite new possibilities for living a healthier life. Through this experience, I have learned that dance making is not about counting to 8. The Dance Exchange has helped make me aware that making art can be a tool for promoting environmental awareness and what better way to start than with a common place.

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  • If you live and dance in the DC area, there’s a good chance that you know Wayles Haynes.  Wayles is an active dance educator, performer, and choreographer in the greater […]

    What’s Behind “The 50s Front”

    If you live and dance in the DC area, there’s a good chance that you know Wayles Haynes.  Wayles is an active dance educator, performer, and choreographer in the greater […]

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  • I've been rolling this idea of labels around for a while now and what their value is in the arts, and in Edmonton, I started to really consider the words I use more closely in describing this work. Usually, I'd say that I was in Canada for a week teaching "community dance workshops" (aka workshops for people who don't consider themselves dancers), and that is one way to describe what happened. But what I'd rather say is that Shula and I went to Edmonton and taught advanced composition classes for a week. And we can say that these are just words, but the labels matter: I find that when I say "community", people hear "outreach", and when I say "comp class", they hear "art".

    What do we call it?

    I've been rolling this idea of labels around for a while now and what their value is in the arts, and in Edmonton, I started to really consider the words I use more closely in describing this work. Usually, I'd say that I was in Canada for a week teaching "community dance workshops" (aka workshops for people who don't consider themselves dancers), and that is one way to describe what happened. But what I'd rather say is that Shula and I went to Edmonton and taught advanced composition classes for a week. And we can say that these are just words, but the labels matter: I find that when I say "community", people hear "outreach", and when I say "comp class", they hear "art".

    Continue Reading...

  • Last night's performance--really the entire day-- was a blast and a blur. What I do remember is watching the last section of our piece from the stage wings and thinking, ”I can't believe it's over.”

    The Night We’ve All Been Waiting For

    Last night's performance--really the entire day-- was a blast and a blur. What I do remember is watching the last section of our piece from the stage wings and thinking, ”I can't believe it's over.”

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